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Erik Adigard studied semiotics, literature and fine arts in
France and in 1987 received a BFA in Graphic Design
from the California College of Arts and Crafts (CCAC).
Adigard works mostly as a member of the design studio
M.A.D., which he created with Patrica McShane. Activities
include graphic design, imagery, multimedia, video and
art installations. His work has been recognized for
contributing new ideas in branding, print and web design,
advertising and concept development to organizations
such as ABC/Disney, Apple, Lotus, Microsoft, Sony and
Wired Magazine. A number of these projects have been
acquired by the San Francisco Museum of Modern Art.
After producing many designs for Wired Magazineduring
the mid 90's, Erik created a series of experimental
interfaces for Wired Digital’s "push"
channels as well as the original interfaces for Hotbot,
WiredNews and others sites. Other notable projects include
the complete design package for the 1999 International
Design Conference in Aspen, "Architecture Must
Burn," a 144 page book co-authored with Aaron Betsky,
a web site commission for the San Francisco Museum of
Modern Art exhibit "010101, Art in Technological
Times", a short documentary, "Webdreamer"
which was included in international film festivals including the 2001 Sundance Film Festival
and a non-linear movie script which was pre-selected
for the 2001 and 2002 Sundance Film Festivals.
Adigard has exhibited design and
multimedia projects in major venues such as the Venice Biennale, Lisbonne Biennale, the San Francisco Museum of Modern Art, the Smithsonian Cooper
Hewitt National Design Museum and the Denver Art Museum as well as other
institutions. Adigard's work has been featured in publications
world wide and received numerous awards, including the
1998 Chrysler Award for Innovation in Design.
Some of Adigards work can be seen online at:
adigard.com
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Chris Salter studied economics
and philosophy at Emory University and then completed
a Ph.D. in theater+computer-generated sound at Stanford
University in 1997. He works on the borders between
performance, new media arts, electronic composition
and sound design, information architecture, interaction
design and producing for new types of responsive environments
and large scale, technology-based cultural projects.
He was awarded the Fulbright and Alexander von Humboldt
"Bundeskanzler" grants for research/work in
Germany between 1993-1995. There he worked as a directing
assistant with, among others, Peter Stein and Peter
Sellars (Salzburg Festival 1993-1994) and Frank Castorf
(Volksbühne, Berlin 1994). His background in computer
music, dramaturgy and directing also led to collaborations
with William Forsythe at the Ballett Frankfurt (Eidos:Telos,
1995, Sleepers Guts, 1997). He has also collaborated
with composers and sound designers Bruce Odland and
Sam Auinger on a number of international exhibition
projects, including interactivity direction for eHenge
(Earth Center, UK. Millenium Commission 1999), interaction
consulting/interface development on Sounds From the
Vaults (Field Museum of Natural History, Chicago, 1999)
and Conflict Table (Landesausstellung, Burgenland, Austria
2000).
He co-founded the art+research organization Sponge,
an interdisciplinary association of artists and researchers
who are exploring the nexus of investigative art, speculative
design, techno-scientific research and critical public
discourse. His work with Sponge has toured internationally
to venues, festivals and exhibitions as SIGGRAPH 2000,
Mediaterra-Athens, Ars Electronica, the Exploratorium/San
Francisco, Banff Center for the Arts and V2 and has
received grants from the Daniel Langlois Foundation,
the Rockefeller Foundation, the LEF Foundation and the
Creative Work Fund/Haas Foundation/San Francisco, among
others.
Additionally, he has worked as a project manager, Web
producer, and content developer on commercial multimedia
projects for Alchemedia, McGraw Hill Home Interactive,
Purple Moon/Interval Research, and others. He also does
consulting on new cultural models that fuse information
technologies and new aesthetic experiences. Salter is
co-founder of the San Francisco Electronic Music Festival
(1999, 2000) and an advisory board member-consultant
to Zero|One: The Art and Technology Network of Silicon
Valley.
For more information:
• sponge.com
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